It is not uncommon for humans to find themselves with the intuition that random, unplanned, unexplained accident just couldn't produce the order, beauty, elegance, and seeming purpose that we experience in the natural world around us. As Hume's interlocutor Cleanthes put it, we seem to see “the image of mind reflected on us from innumerable objects” in nature. (Hume 1779 , 35). And many people find themselves convinced that no explanation for that mind-resonance which fails to acknowledge a causal role for intelligence, intent and purpose in nature can be seriously plausible.
Cosmological arguments begin with the bare fact that there are contingently existing things and end with conclusions concerning the existence of a cause with the power to account for the existence of those contingent things. Teleological arguments (or arguments from design) by contrast begin with a much more specialized catalogue of properties and end with a conclusion concerning the existence of a designer with the intellectual properties (knowledge, purpose, understanding, foresight, wisdom, intention) necessary to design the things exhibiting the special properties in question. In broad outline, then, teleological arguments focus upon finding and identifying various traces of the operation of a mind in nature's temporal and physical structures, behaviors and paths. Order of some significant type is usually the starting point of design arguments. Various advocates have focused on different types, levels and instances of order, have suggested different logical connections between order, design and designer and have pursued different levels of rigor—from Bayesian formalisms to the deadly serious whimsy of G.K. Chesterton:
So one elephant having a trunk was odd; but all elephants having trunks looked like a plot. (Chesterton 1908, 106–7)
Design-type arguments are largely unproblematic when based upon things nature clearly could not or would not produce (e.g., most human artifacts), or when the intelligent agency is itself ‘natural’ (human, alien, etc.). Identifying designed traces of ‘lost’ human civilizations or even non-human civilizations (Alpha Centaurian, say, via SETI) could in principle be uncontroversial or even nearly trivial. If we are confronted with something which nature unaided by an intelligence truly could not or would not produce (e.g., a DVD player), a design conclusion of some sort is very nearly inescapable. The uncontroversial nature of such inferences has often been appropriated as a foundation for analogous arguments concerning (things in) nature. But in cases involving design in (or of) nature itself inferences are more problematic, since the intelligence in question would presumably not be natural.
But despite the variety of spirited critical attacks they have elicited, design arguments have historically had and continue to have widespread intuitive appeal—indeed, it is sometimes claimed that design arguments are the most persuasive of all purely philosophical theistic arguments.
2. Design Inference Patterns
The historical arguments of interest are precisely the potentially problematic ones—inferences beginning with some empirical features of nature and concluding with the existence of a designer. A standard but separable second step—the natural theology step—involves identifying the designer as God, often via particular properties and powers required by the designing in question. Although the argument wielded its greatest intellectual influence during the 18th and early 19th centuries, it goes back at least to the Greeks and in extremely clipped form comprises one of Aquinas's Five Ways. It was given a fuller and quite nice early statement by Hume's interlocutor Cleanthes:
Look round the world; contemplate the whole and every part of it: You will find it to be nothing but one great machine, subdivided into an infinite number of lesser machines, which again admit of subdivisions to a degree beyond what human senses and faculties can trace and explain. All these various machines, and even their most minute parts, are adjusted to each other with an accuracy which ravishes into admiration all men who have ever contemplated them. The curious adapting of means to ends, throughout all nature, resembles exactly, though it much exceeds, the productions of human contrivance; of human design, thought, wisdom, and intelligence. Since, therefore, the effects resemble each other, we are led to infer, by all the rules of analogy, that the causes also resemble; and that the Author of Nature is somewhat similar to the mind of man, though possessed of much larger faculties, proportioned to the grandeur of the work which he has executed. By this argument a posteriori, and by this argument alone, do we prove at once the existence of a Deity, and his similarity to human mind and intelligence. (Hume 1779 , 15).
That statement captures much of popular, informal design intuitions, but exactly how ought we to construe the formal structure of such arguments? What sort of logic is being employed? As it turns out, that question does not have just a single answer. Several distinct answers are canvassed in the following sections.
2.1 Analogical Design Arguments: Schema 1
Design arguments are routinely classed as analogical arguments—various parallels between human artifacts and certain natural entities being taken as supporting parallel conclusions concerning operative causation in each case. (Note that Cleanthes, above, specifically appeals to “the rules of analogy.”) The standardly ascribed schema is roughly thus:
- Entity e within nature (or the cosmos, or nature itself) is like specified human artifact a (e.g., a machine) in relevant respects R.
- a has R precisely because it is a product of deliberate design by intelligent human agency.
- Like effects typically have like causes (or like explanations, like existence requirements, etc.)
- It is (highly) probable that e has R precisely because it too is a product of deliberate design by intelligent, relevantly human-like agency.
(The relevant respects and properties R are referred to variously as teleological properties or as marks or signs of design, and objects having such properties are sometimes referred to as teleological objects. For simplicity and uniformity of discussion, I shall simply talk in terms of “Rs”.)
2.1.1 Humean objections
This general argument form was criticized quite vigorously (and familiarly) by Hume, at several key steps. (Hume's primary critical discussion is contained in (Hume 1779 ). Hume's responses are widely taken as the paradigm philosophical refutation of traditional design arguments.) Against (1), Hume argued that the analogy is not very good—that nature and the various things in it are not very like human artifacts and exhibit substantial differences from them—e.g., living vs. not, self-sustaining vs. not. Indeed, whereas advocates of design arguments frequently cited similarities between the cosmos on the one hand and human machines on the other, Hume suggested (tongue perhaps only partly in cheek) that the cosmos much more closely resembled a living organism than a machine. But if the alleged resemblance is in relevant respects distant, then the inference in question will be logically fragile. And while (2) may be true in specific cases of human artifacts a, that fact is only made relevant to natural phenomena e via (3), which underpins the transfer of the key attribution. Against (3), Hume argued that any number of alternative possible explanations could be given of allegedly designed entities in nature—chance, for instance, or saturation of the relevant state space of possibilities. Thus, even were (1) true and even were there important resemblances, the argument might confer little probabilistic force onto the conclusion.
More generally, Hume also argued that even if something like the stated conclusion (4) were established, that left the arguer far from anything like a traditional conception of God. For instance, natural evils or apparently suboptimal designs might suggest e.g., an amateur designer or a committee of designers. And if phenomena instrumental to the production of natural evils (e.g., disease microorganisms) exhibited various of the Rs, then they would presumably have to be laid at the designer's door, further eroding the designer's resemblance to the wholly good deity of tradition. And even the most impressive empirical data could properly establish only finite (although perhaps enormous) power and wisdom, rather than the infinite power and wisdom usually associated with divinity. But even were one to concede some substance to the design arguments's conclusion, that would, Hume suggested, merely set up a regress. The designing agent would itself demand explanation, requiring ultimately a sequence of prior analogous intelligences producing intelligences. And even were the existence of a designer of material things established, that did not yet automatically establish the existence of a creator of the matter so shaped. And since analogical arguments are a type of induction (see the entry on analogy and analogical reasoning), the conclusion even if established would be established only to some, perhaps insignificant, degree of probability. Furthermore, we could not ground any induction concerning the cosmos itself upon a requisite fund of experiences of other cosmoi found to be both deliberately designed and very like ours in relevant respects—for the simple reason that this universe is our only sample. And finally the fraction of this one cosmos (both spatially and temporally) available to our inspection is extraordinarily small—not a promising basis for a cosmically general conclusion. Hume concluded that while the argument might constitute some limited grounds for thinking that “the cause or causes of order in the universe probably bear some remote analogy to human intelligence” (Hume 1779 , 88) Hume's emphasis)—and that is not a trivial implication—it established nothing else whatever.
Historically, not everyone agreed that Hume had fatally damaged the argument. For one thing, some of Hume's criticisms rested upon his own peculiar conception of causation—a conception nearly universally recognized as seriously inadequate. Further it is simply not true that explanatory inferences cannot properly extend beyond merely what is required for known effects. As a very general example, on the basis of the few observations which humans had made during a cosmically brief period in a spatially tiny part of the cosmos, Newton theorized that all bits of matter at all times and in all places attracted all other bits of matter. There was nothing whatever logically suspect here. Indeed, simplicity and uniformity considerations—which have considerable well-earned scientific clout—push in the direction of such generalizations.
But Hume certainly identified important places within the argument to probe. First, any two (groups of) things have infinitely many properties in common and also differ in infinitely many respects. Whether or not artifacts and natural objects are alike in ways that would support transfer of design attributions from the former to the latter depends upon exactly what the relevant Rs are. Second, whether or not there really are alternative means of producing Rs independent of any mind input is often an empirical matter, which cannot be settled either way by simple stipulation. On the other hand, whether or not some of Hume's own remarks are to the point depends upon whether or not design arguments really are ultimately analogical. And whether or not Hume's suggestions are correct concerning the uncertain character of any designer inferred will depend upon the specific Rs and upon what can or cannot be definitively said concerning requirements for their production.
2.1.2 R Concerns: Round 1
Key questions, then, include: what are the relevant Rs typically cited? do those Rs genuinely signal purpose and design? how does one show that either way? are there viable alternative accounts of the Rs requiring no reference to minds? how does one show that either way? The specific Rs in question are obviously central to design argument efforts. Although the underlying general category is, again, some special type of orderliness, the specifics have ranged rather widely historically. Among the more straightforwardly empirical are inter alia uniformity, contrivance, adjustment of means to ends, particularly exquisite complexity, particular types of functionality, delicacy, integration of natural laws, improbability, and the fitness (fine-tuning) of the inorganic realm for supporting life. A number of empirically further removed and problematic proposals all having axiological overtones have also been advanced, including the intelligibility of nature, the directionality of evolutionary processes, aesthetic characteristics (beauty, elegance, and the like), apparent purpose and value (including the aptness of our world for the existence and practice of moral value) and just the sheer niftiness of many of the things we find in nature.
Many of the specific Rs advanced historically were vulnerable to substantive critiques, often increasingly so as time went on. Specifically, while it was clearly evident that various a's had the R character they did in virtue of their (human) intentional production, it was much more difficult establishing that any or all other occurrences of R likely owed their existence to intention as well. As the standard story has it, science increasingly acquired understandings of how nature unaided by deliberate intent and planning could produce virtually any R proposed, and thus while (2) might continue to hold for virtually any human artifact a having any intended R one might please, (3) — and consequently the inference to (4) — became progressively less defensible. Design, on this telling, might gradually be explained away.
2.2 Deductive Design Arguments: Schema 2
But some advocates of design arguments had been reaching for a deeper intuition. The intuition they were attempting to capture involved properties that in and of themselves constituted some degree of evidence for design—properties that were not merely constantly conjoined, for whatever reason, with instances of design. The specific Rs were singled out not just because such properties happened to be often or even only produced by designing agents. (Garbage heaps fit that description.) Advocates were convinced that the appropriate Rs in question were in their own right directly reflective of and redolent of cognition, that this directly suggested mind, that we could see nearly directly that they were the general sort of thing that a mind might or even would generate, and that consequently they did not depend for their evidential force upon previously established constant conjunctions or other associations with known instances of design. When we see a text version of the Gettysburg Address, that text says mind to us in a way totally unrelated to any induction or analogy from past encounters with written texts. It was that type of testimony to mind, to design, that some historical advocates of design arguments believed that they found in some Rs observed in nature—a testimony having no dependency on induction or analogy. Beauty, purpose and in general value especially when conjoined with delicate complexity were popular underlying intuitive marks. Intricate, dynamic, stable, functioning order of the sort we encounter in nature was frequently placed in this category. Such order was taken to be suggestive of minds in that it seemed nearly self-evidently the sort of thing minds, and so far as was definitively known, only minds were prone to produce. It was a property whose mind-resonating character we could unhesitatingly attribute to intent.
Despite Hume's earlier demurs that things in nature are not really very like artifacts such as machines, most people (including opponents of design arguments) who are most familiar with nature's dazzling intricacies freely admit that nature abounds with things that look designed—that are intention-shaped. For instance, Francis Crick (no fan of design) issued a warning to his fellow biologists:
Biologists must constantly keep in mind that what they see was not designed, but rather evolved. (Crick 1988, 138).
Along with this perception of mind-suggestiveness went a further principle—that the mind-suggestive or intention-shaped (the design-like) characteristics in question were too palpable to have been generated by non-intentional means.
That allows specification of a second design inference pattern:
- Some things in nature (or nature itself, the cosmos) are design-like (exhibit a cognition-resonating, intention-shaped character R)
- Design-like properties (R) are not producible by (unguided) natural means—i.e., any phenomenon exhibiting such Rs must be a product of intentional design.
- Some things in nature (or nature itself, the cosmos) are products of intentional design. And of course, the capacity for intentional design requires agency of some type.
Notice that explicit reference to human artifacts has dropped out of the argument, and that the argument is no longer comparative but has become essentially deductive. Some arguments were historically intended as arguments of that type. Consider the widely reproduced opening passages of William Paley's 1802 Natural Theology:
In crossing a heath, suppose I pitched my foot against a stone and were asked how the stone came to be there, I might possibly answer that for anything I knew to the contrary it had lain there forever; nor would it, perhaps, be very easy to show the absurdity of this answer. But suppose I had found a watch upon the ground, and it should be inquired how the watch happened to be in that place. I should hardly think of the answer which I had before given, that for anything I knew the watch might have always been there. Yet why should not this answer serve for the watch as well as for the stone? Why is it not as admissible in the second case as in the first? For this reason, and for no other, namely, that when we come to inspect the watch, we perceive—what we could not discover in the stone—that its several parts are framed and put together for a purpose … [The requisite] mechanism being observed … the inference we think is inevitable, that the watch must have had a maker. ... Every observation which was made in our first chapter concerning the watch may be repeated with strict propriety concerning the eye, concerning animals, concerning plants, concerning, indeed, all the organized parts of the works of nature. … [T]he eye … would be alone sufficient to support the conclusion which we draw from it, as to the necessity of an intelligent Creator. …
Although Paley's argument is routinely construed as analogical, it in fact contains an informal statement of the above variant argument type. Paley goes on for two chapters discussing the watch, discussing the properties in it which evince design, destroying potential objections to concluding design in the watch, and discussing what can and cannot be concluded about the watch's designer. It is only then that entities in nature—e.g., the eye—come onto the horizon at all. Obviously, Paley isn't making such heavy weather to persuade his readers to concede that the watch really is designed and has a designer. He is, in fact, teasing out the bases and procedures from and by which we should and should not reason about design and designers. Thus Paley's use of the term ‘inference’ in connection with the watch's designer.
Once having acquired the relevant principles, then in Chapter 3 of Natural Theology—“Application of the Argument”—Paley applies the same argument (vs. presenting us with the other half of the analogical argument) to things in nature. The cases of human artifacts and nature represent two separate inference instances:
up to the limit, the reasoning is as clear and certain in the one case as in the other. (Paley 1802 , 14)
But the instances are instances of the same inferential move:
there is precisely the same proof that the eye was made for vision as there is that the telescope was made for assisting it. (Paley 1802  13)
The watch does play an obvious and crucial role—but as a paradigmatic instance of design inferences rather than as the analogical foundation for an inferential comparison.
Schema 2, not being analogically structured, would not be vulnerable to the ills of analogy, and not being inductive would claim more than mere probability for its conclusion. That is not accidental. Indeed, it has been argued that Paley was aware of Hume's earlier attacks on analogical design arguments, and deliberately structured his argument to avoid the relevant pitfalls (Gillispie 1990, 214–229).
2.2.1 Assessing the Schema 2 argument
First, how are we to assess the premises required by this schema? Premise (5), at least, is not particularly controversial even now. Crick's earlier warning to biologists would have been pointless were there no temptation toward design attributions, and even as implacable a contemporary opponent of design arguments (and all things remotely related to them) as Richard Dawkins characterized biology as:
the study of complicated things that give the appearance of having been designed for a purpose. (Dawkins 1987, 1)
Day-to-day contemporary biology is rife with terms like ‘design’, ‘machine’, ‘purpose’ and allied terms. As historian of science Timothy Lenoir has remarked:
Teleological thinking has been steadfastly resisted by modern biology. And yet, in nearly every area of research biologists are hard pressed to find language that does not impute purposiveness to living forms. (Lenoir 1982, ix)
Whether or not particular biological phenomena are designed, they are frequently enough design-like to make design language (resisted or not) not only fit living systems extraordinarily well, but to undergird generation of fruitful theoretical conceptions as well. Advocates of design arguments claim that the reason why theorizing as if organisms are designed meets with such success is that organisms are in fact designed. Those opposed would say that all teleological concepts in biology must, in one way or another, be reduced to natural selection.
However principle (6) (that the relevant design-like properties are not producible by unguided natural means) will be more problematic in biology. (It will, of course, continue to play a role in fields such as archeology: what is a pottery shard vs. what is natural.) What might be the rational justification for (6)? There are two broad possibilities.
1. Empirical: induction. Induction essentially involves establishing that some principle holds within the realm of our knowledge/experience (the sample cases), and then, subject to certain constraints, generalizing the principle to encompass relevant areas beyond that realm (the test cases). The attempt to establish the universality of a connection between having relevant Rs and being a product of mind on the basis of an observed consistent connection between having relevant Rs and being a product of mind within all (most) of the cases where both R was exhibited and we knew whether or not the phenomenon in question was a product of mind, would constitute an inductive generalization.
This approach would suffer from a variety of weaknesses (some of them related to Hume's criticisms of Schema 1 arguments). The R-exhibiting things concerning which we knew whether or not they were designed would be almost without exception human artifacts, whereas the phenomena to which the generalization was being extended would be almost without exception things in a very different category—things in nature. And, of course, the generalization in question could establish at best a probability, and a fairly modest one at that.
2. Conceptual. It might be held that (6) is known in the same conceptual, nearly a priori way in which we know that textbooks are not producible by natural processes unaided by mind. And our conviction here is not based on any mere induction from prior experiences of texts. Texts carry with them essential marks of mind, and indeed in understanding a text we see at least partway into the mind(s) involved. Various alien artifacts (if any)—of which we have had no prior experience whatever—could fall into this category as well. Similarly, it has been held that we sometimes immediately recognize that order of the requisite sort just is a sign of mind and intent.
Alternatively, it could be argued that although there was a genuine conceptual link between appropriate Rs and mind, design, intent etc., that typically our recognition of that link is triggered by specific experiences with artifacts, or that our seeing the connections in depth is best elicited by considerations involving artifacts. (Both Aristotle and Galileo held a correlate of this view concerning our acquiring knowledge of the general principles governing nature.) On this view, once the truth of (6) became manifest to us through experiences of artifacts, the appropriateness of its more general application would be clear. That might explain why so many advocates of design arguments—both historical and current—seem to believe that they must only display a few cases and raise their eyebrows to gain assent to design.
Either way, principle (6), or something like it, would be something with which relevant design inferences would begin. Further investigation of (6) requires taking a closer look at the Rs which (6) involves.
2.2.2 R Concerns: Round 2
One thing complicating general assessments of design arguments is that the evidential force of specific Rs is affected by the context of their occurrence. Specifically, properties which seem clearly to constitute marks of design in known artifacts often seem to have significantly less evidential import outside that context. For instance, we typically construe enormous complexity in something known to be a manufactured artifact as a deliberately intended and produced characteristic. But mere complexity in contexts not taken to involve artifacts (the precise arrangement of pine needles on a forest floor, for instance) does not seem to have that same force. In the case of natural objects with evident artifactuality absent, it is less clear that such complexity—as well as the other traditional empirical Rs—bespeaks intention, plan and purpose. Similarly, absolutely straight lines in an artifact are typically results of deliberate intention. That straight lines traveled by light rays is so would seem to many to be less obvious.
Furthermore, even within those two contexts—artifact and nature—the various Rs exhibit varying degrees of evidential force. For instance, even in an artifact, mere complexity of whatever degree speaks less clearly of intent than does an engraved sentence. As most critics of design arguments point out, the examples found in nature are not of the “engraved sentence” sort.
There are two crucial upshots. First, notice that in general, the more empirically tractable the specific Rs, the less promising as marks of purpose and design they seem. For instance, if just bare complexity is cited, then although complexity is in many respects easily demonstrable, that complexity may not clearly speak of intent. On the other hand, although the exhibiting of genuine purpose and value might constitute persuasive and even compelling evidence of a designer, establishing that the empirical characteristics in question really do betoken genuine purpose and value—and not just, say, functionality—seems to many to be difficult if not impossible.
2.2.3 Gaps and Their Discontents
Evidential ambiguity would virtually disappear if it became clear that there is no plausible means of producing some R independent of deliberate intent. Part of the persuasiveness of (6) historically came from absence of any known plausible non-intentional alternative causal account of the traditional Rs. Such cases are often linked to alleged gaps in nature—phenomena for which, it is claimed, there can be no purely natural explanation, there being a gap between nature's production capabilities and the phenomenon in question. (For example, nature's unaided capabilities fall short of those capabilities required for producing a DVD player. Thus, when we see a DVD player we know that something else—human agency—was involved in its production.) Design cases resting upon nature's alleged inability to produce some relevant ‘natural’ phenomenon are generally assumed to explicitly or implicitly appeal to supernatural agency, and are typically described as “God-of-the-gaps” arguments—a description usually intended to be pejorative.
But evidence of design in nature does not automatically imply gaps. Design built or "front-loaded" into nature from the very beginning would require no further interventions within the historical flow of nature and therefore no gaps. But since the artifact/nature divide parallels the gap/non-gap divide, one way the implausibility of alternative means of production could become exceptionally clear was if R were associated with a gap in nature's capabilities—if the unaided course of nature genuinely could not or would not produce R, yet we see R in ‘nature’. In such a case, the appeal to agency would be virtually inevitable.
The position that there are gaps in nature is not inherently irrational—and would seem to be a legitimate empirical question. But although gaps would profoundly strengthen design arguments, they do import their own suite of difficulties. Gaps are usually easy to spot in cases of artifactuality, but although they may be present in nature, establishing their existence there can usually be done (by science, at least) only indirectly—via probability considerations, purported limitations on nature's abilities, etc.
Several possible snags lurk. Gaps in nature would, again, suggest supernatural agency, and some (for various reasons) take science to operate under an obligatory exclusion of such. This prohibition—commonly known as methodological naturalism—is often claimed (mistakenly, some argue) to be definitive of genuine science. ‘Established’ limitations both on science and on nature can and have been overturned in the past. The possibility of discovery (or postulation) of alternative ‘natural’ means of production would constitute a standing threat to any argument resting in part on a perceived absence of such means. And the spotty track record of alleged gaps provides at least a cautionary note. Such considerations will complicate attempts to very firmly establish design empirically on the basis of the types of properties we usually find in nature.
The way that alleged gaps typically disappear is, of course, through new proposed scientific theories postulating means of natural production of phenomena previously thought to be beyond nature's capabilities. The most obvious example of that is, of course, Darwin's evolutionary theory and its descendants. (That issue will resurface shortly.)
2.3 Inferences to the Best Explanation/Abductive Design Arguments: Schema 3
Some philosophers of science claim that in a wide variety of scientific cases we employ an “inference to the best explanation” (IBE). The basic idea is that if one among a number of competing candidate explanations is overall superior to others in significant respects — enhanced likelihood, explanatory power and scope, causal adequacy, plausibility, evidential support, fit with already-accepted theories, predictiveness, fruitfulness, precision, unifying power, and the like — then we are warranted in (provisionally) accepting that candidate as the right explanation given the evidence in question. Some advocates see design arguments as inferences to the best explanation, taking design explanations — whatever their weaknesses — as prima facie superior to chance, necessity, chance-driven evolution, or whatever.
Peter Lipton describes IBE this way (1991, 58):
According to Inference to the Best Explanation … [g]iven our data and our background beliefs, we infer what would if true, provide the best of the competing explanations we can generate of those data (so long as the best is good enough for us to make any inference at all).
Extracting a general schema from that description, and deploying it in the current case would give us the following:
- Some things in nature (or nature itself, the cosmos) exhibit exquisite complexity, delicate adjustment of means to ends (and other relevant R characteristics).
- The hypothesis that those characteristics are products of deliberate, intentional design (Design Hypothesis) would adequately explain them.
- In fact, the hypothesis that those characteristics are products of deliberate, intentional design (Design Hypothesis) is the best available overall explanation of them.
- Some things in nature (or nature itself, the cosmos) are products of deliberate, intentional design (i.e., the Design Hypothesis is likely true).
In arguments of this type, superior explanatory virtues of a theory are taken as constituting decisive epistemic support for theory acceptability, warranted belief of the theory, and likely truth of the theory. There are, of course, multitudes of purported explanatory, epistemic virtues, including the incomplete list a couple paragraphs back (and lists of such have evolved over time). Assessing hypotheses in terms of such virtues is frequently contentious, depending, as it does, on perceptions of ill-defined characteristics, differences in background conceptual stances, and the like. Still, in general we frequently manage rough and ready resolutions.
2.3.1 IBE, Likelihood and Bayes
One key underlying structure in this context is typically traced to Peirce's notion of abduction. Suppose that some otherwise surprising fact e would be a reasonably expectable occurrence were hypothesis h true. That, Peirce argued, would constitute at least some provisional reason for thinking that h might actually be true. Peirce's own characterization was as follows (Peirce 1955, 151):
- The surprising fact, C, is observed.
- But if A were true, C would be a matter of course.
- There is reason to suspect that A is true.
The measure of C being a ‘matter of course’ given A is frequently described as the degree to which C could be expected were A in fact true. This intuition is sometimes formalized in terms of likelihood, defined as follows:
The likelihood of hypothesis h (given evidence e) = P(e/h)
That the likelihood of h (given e) is high normally means that e being true or occurring constitutes some degree of support for h. In cases of competing explanatory hypotheses — say h1 and h2 — the comparative likelihoods on specified evidence can be taken to indicate which of the competitors specific pieces of evidence differentially support, i.e.:
[P(e/h1) > P(e/h2)] ⇔
(e supports h1 more strongly than it does h2)
Higher likelihood of h1 than h2 on specific evidence does not automatically imply that h1 should be accepted, is likely to be true, or is better in some overall sense than is h2. h1 might, in fact, be a completely lunatic theory which nonetheless entails e, giving h1 as high a likelihood as possible. Such maximal likelihood relative to e would not necessarily alter h1's lunacy. Likelihood thus does not automatically translate into a measure of how strongly some specific evidence e supports the hypothesis h1 in question.
This, then, leads directly to Bayesian probability theory. While the Bayesian approach is undoubtedly more rigorous than appeals to IBE, it is also somewhat of a digression, given that few teleological arguments are presented in these terms. For more on Bayesian epistemology and its problems, see the entry on epistemology-bayesian. For a contrast between IBE and Bayesianism, see abduction. For an important recent critique of theistic design arguments in Bayesian terms, see (Sober 2009) and the reply by (Kotzen 2012).
Whatever one's view of Bayesianism, IBEs have their own shortcomings. The assessment of ‘best’ is not only a value-tinged judgment, but is notoriously tricky (especially given the ambiguous and hard to pinpoint import of the Rs in the present case). There is also the very deep question of why we should think that features which we humans find attractive in proposed explanations should be thought to be truth-tracking. What sort of justification might be available here? Furthermore, taking design to be the best explanation for something requires prior identification of the appropriate properties as design-relevant, and that recognition must have a different basis. And again, substantive comparison can only involve known alternatives, which at any point represent a vanishingly small fraction of the possible alternatives. Choosing the best of the known may be the best we can do, but many (e.g., van Fraassen) would insist that without some further suppressed and significant assumptions, being the best (as humans see it) of the (humanly known) restricted group does not warrant ascription of truth, or anything like it.
There are other potential issues here as well. Sober argues that without additional very specific assumptions about the putative designer we could specify no particular value for P (e/h) — e.g., the likelihood that a designer would produce vertebrate eyes with the specific features we observe them to have — and that depending on the specific assumptions made we could come up with any value from 0 to 1 (e.g.Sober 2003, 38)
There is also the potential problem of new, previously unconsidered hypotheses all lumped together in the catch-all basket. Without knowing the details of what specific unconsidered hypotheses might look like, there is simply no plausible way to anticipate the apparent likelihood of a novel new hypothesis — let alone its other potential explanatory virtues. This, on some views, is essentially what happened with traditional design arguments — such arguments were the most reasonable available until Darwinian evolution provided a plausible (or better) alternative the details and likelihood of which were not previously anticipatable.
3. Alternative Explanation
Without going into the very familiar details, Darwinian processes fueled by undesigned, unplanned, chance variations that are in turn conserved or eliminated by way of natural selection would, it is argued, over time produce organisms exquisitely adapted to their environmental niches. And since many of the characteristics traditionally cited as evidences of design just were various adaptations, evolution would thus produce entities exactly fitting traditional criteria of design. Natural selection, then, unaided by intention or intervention could account for the existence of many (perhaps all) of the Rs which we in fact find in nature. (A parallel set of arguments can be found between those who believe that life itself requires a design explanation (Meyer 2009) and those proposing naturalistic explanations (see the entry on life.)
That was—and is—widely taken as meaning that design arguments depending upon specific biological gaps would be weakened—perhaps fatally. Thus Darwin in a very famous passage from his autobiography:
The old argument of design in nature, as given by Paley, which formerly seemed to me so conclusive, fails, now that the law of natural selection had been discovered. We can no longer argue that, for instance, the beautiful hinge of a bivalve shell must have been made by an intelligent being, like the hinge of a door by man. There seems to be no more design in the variability of organic beings and in the action of natural selection, than in the course which the wind blows. Everything in nature is the result of fixed laws. (Darwin 1887, 279)
Premise (10) — not to mention the earlier (6) — would thus look to simply be false. What had earlier appeared to be purpose (requiring intent) was now apparently revealed as mere unintended but successful and preserved function.
Of course, relevant premises being false merely undercuts the relevant schemas in present form — it does not necessarily refute either the basic design intuition or other forms of design arguments. But some critics take a much stronger line here. Richard Dawkins, for instance, subtitles one of his books: “Why the evidence of evolution reveals a universe without design” (Dawkins, 1987). Typically underlying claims of this sort is the belief that Darwinian evolution, by providing a relevant account of the origin and development of adaptation, diversity, and the like, has explained away the alleged design in the biological realm — and an attendant designer — in much the same way that kinetic theory has explained away caloric. Indeed, this is a dominant idea underlying current responses to design arguments. However, undercutting and explaining away are not necessarily the same thing, and exactly what explaining away might mean, and what a successful explaining away might require are typically not clearly specified. So before continuing, we need clarity concerning some relevant conceptual landscape.
3.1 Explaining Away
That an alleged explanatory factor α is provisionally explained away requires that there be an alternative explanation Σ meeting these conditions:
- Σ is explanatorily adequate to the relevant phenomenon (structure, property, entity, event)
- Σ can be rationally supported in terms of available (or likely) evidence
- Σ is relevantly superior to the original in terms either of adequacy or support
- Σ requires no essential reference to α
However, (a) – (d) are incomplete in a way directly relevant to the present discussion. Here is a very simple case. Suppose that an elderly uncle dies in suspicious circumstances, and a number of the relatives believe that the correct explanation is the direct agency of a niece who is primary heir, via deliberately and directly administering poison. However, forensic investigation establishes that the cause of death was a mix-up among medications the uncle was taking — an unfortunate confusion. The suspicious relatives, however, without missing an explanatory beat shift the niece's agency back one level, proposing that the mix-up itself was orchestrated by the niece — switching contents of prescription bottles, no doubt. And that might very well turn out to be the truth.
In that sort of case, the α in question (e.g., niecely agency) is no longer directly appealed to in the relevant initial explanatory level, but is not removed from all explanatory relevance to the phenomenon in question. In general, then, for α to be explained away in the sense of banished from all explanatory relevance the following condition must also be met:
- no reference to α is required at any explanatory level underlying Σ
By that I mean roughly that Σ does not depend essentially on any part β of any prior explanation where α is essential to β. There are some additional possible technical qualifications required, but the general intuition should be clear.
Thus, e.g., whereas there was no need to appeal to caloric at some prior or deeper level, with design, according to various design advocates, there is still an explanatory lacuna (or implicit promissory note) requiring reference to design at some explanatory level prior to Darwinian evolution. Indeed, as some see it (and as Paley himself suggested), there are phenomena requiring explanation in design terms which cannot be explained away at any prior explanatory level (short of the ultimate level).
That some phenomenon α has been explained away can be taken to mean two very different things — either as
- showing that it is no longer rational to believe that α exists
- showing that α does not exist
(And often, of course, both.)
For instance, few would assert that there is still an extant rational case for belief in phlogiston — any explanatory work it did at the proximate level seems to have ceased, and deeper explanatory uses for it have never subsequently materialized. Perhaps its non-existence was not positively established immediately, but removal of rational justification for belief in some entity can morph into a case for non-existence as the evidence for a rival hypothesis increases over time
Purported explanations can be informally divided into two broad categories — those involving agents, agency, intention, and the like; and those involving mechanism, physical causality, natural processes, and the like. The distinction is not, of course, a clean one (functioning artifacts typically involve both), but is useful enough in a rough and ready way, and in what follows I will use agent explanations and mechanical explanations respectively as convenient handles. Nothing pernicious is built into either the broad distinction or the specified terminology.
There are some instructive patterns that emerge in explanatory level-shifting attempts, and in what immediately follows some of the more basic patterns will be identified.
(a) Agent explanations
Intention, intervention, and other agency components of explanations can very frequently be pushed back to prior levels — much as many defenders of teleological arguments claim. The earlier case of the alleged poisoning of the rich uncle by the niece is a simple example of this.
But in some cases, the specifics of the agent explanation in question may make appeal to some prior level less plausible or sensible. For example, suppose that one held the view that crop circles were to be explained in terms of direct alien activity. One could, upon getting irrefutable video proof of human production of crop circles, still maintain that aliens were from a distance controlling the brains of the humans in question, and that thus the responsibility for crop circles did still lie with alien activity. While this retreat of levels preserves the basic explanation, it of course comes with a significant cost in inherent implausibility.
And in some cases, pushing specific agency back a level seems nearly unworkable. Suppose that the standard explanation of global warming was human activity, but that subsequently a complete, completely adequate, nailed down explanation in terms of solar cycles emerged. That would seem to explain away the alleged human causation, and in this sort of case it would be difficult to retreat back one level and make the case that human agency and activity were actually driving the solar cycles.
Still the level-changing possibility is as a general rule available with proposed agent explanations. And design typically is, of course, an agent explanation.
(b) Mechanical explanations
Pushing specific explanatory factors back to a prior level often works less smoothly in cases of purely mechanical/physical explanations than in intentional/agency explanations. In many attempted mechanistic relocation cases, it is difficult to see how the specific relocated explanatory factor is even supposed to work, much less generate any new explanatory traction. Exactly what would caloric do if pushed back one level, for instance?
Although level shifting of specific explanatory factors seems to work less easily within purely physical explanations, relocation attempts involving broad physical principles can sometimes avoid such difficulties. For instance, for centuries determinism was a basic background component of scientific explanations (apparently stochastic processes being explained away epistemically). Then, early in the 20th century physics was largely converted to a quantum mechanical picture of nature as involving an irreducible indeterminism at a fundamental level — apparently deterministic phenomena now being what was explained away. However, DeBroglie, Bohm and others (even for a time Einstein) tried to reinstate determinism by moving it back to an even deeper fundamental level via hidden variable theories. Although the hidden variable attempt is generally thought not to be successful, its failure is not a failure of principle.
3.1.2 Possible disputes
How one assesses the legitimacy, plausibility, or likelihood of the specific counter-explanation will bear substantial weight here, and that in turn will depend significantly on among other things background beliefs, commitments, metaphysical dispositions, and the like. If one has a prior commitment to some key α (e.g., to theism, atheism, naturalism determinism, materialism, teleology), or assigns a high prior to that α, the plausibility of taking the proposed (new) explanation as undercutting, defeating, or refuting α (and/or Σ) will be deeply affected, at least initially.
Tilting the conceptual landscape via prior commitments is both an equal opportunity epistemic necessity and a potential pitfall here. Insisting on pushing an explanatory factor back a level is often an indication of a strong prior commitment of some sort. Disagreement over deeper philosophical or other principles will frequently generate divergence over when something has or has not been explained away. One side, committed to the principle, will accept a level change as embodying a deeper insight into the relevant phenomenon. The other, rejecting the principle, will see an ad hoc retreat to defend an α which has in fact been explained away.
Returning to the present issue, design argument advocates will of course reject the claim that design, teleology, agency and the like have been explained away either by science generally or by Darwinian evolution in particular. Reasons will vary. Some will see any science — Darwinian evolution included — as incompetent to say anything of ultimate design relevance, pro or con. (Many on both sides of the design issue fit here.) Some will see Darwinian evolution as failing condition (a), (b) and/or (c), claiming that Darwinian evolution is not explanatorily adequate to selected α's, is inadequately supported by the evidence, and is far from superior to agency explanations of relevant phenomena. (Creationists and some — not all — ‘intelligent design’ advocates fit here.) Some will argue that a Darwinian failure occurs at (d), citing e.g., a concept of information claimed to be both essential to evolution and freighted with agency. (Some intelligent design advocates fit here. (Dembski, 2002, Meyer, 1998) However, the major contention of present interest involves (e).
3.3 Indirect Causation, Design and Evidences
Historically, design cases were in fact widely understood to allow for indirect intelligent agent design and causation, the very causal structures producing the relevant phenomena being themselves deliberately designed for the purpose of producing those phenomena. For instance, it was typically believed that God could have initiated special conditions and processes at the instant of creation which operating entirely on their own could produce organisms and other intended (and designed) results with no subsequent agent intervention required. Paley himself, the authors of the Bridgewater Treatises and others (including even Augustine, earlier) were explicitly clear that whether or not something was designed was an issue largely separable from the means of production in question. Historically it was insisted that design in nature did track back eventually to intelligent agency somewhere and that any design we find in nature would not—and could not—have been there had there ultimately been no mind involved. But commentators (including many scientists) at least from the early 17th century on (e.g., Francis Bacon, Robert Boyle) very clearly distinguished the creative initiating of nature itself from interventions within the path of nature once initiated. For instance, over two centuries before Darwin, Bacon wrote:
God … doth accomplish and fulfill his divine will [by ways] not immediate and direct, but by compass; not violating Nature, which is his own law upon the creation. (quoted in (Whewell 1834, 358)
Indeed, if the Rs in question did directly indicate the influence of a mind, then means of production—whether unbroken causation or gappy—would be of minimal evidential importance. Thus, the frequent contemporary claim that design arguments all involve appeal to special divine intervention during the course of nature's history—that in short design arguments are “God-of-the-gaps” arguments—represents serious historical (and present) inaccuracy(e.g., Behe, 1996).
In fact, a decided preference for design cases not involving gaps and supernatural intervention was common long before Darwin. A quarter century prior to the Origin, Charles Babbage expressed a typical position:
We cannot for a moment hesitate in pronouncing that that which, after its original adjustment, no superintendence was required, displayed far greater ingenuity than that which demanded, at every change in its law, the intervention of its contriver. (Babbage 1838, 40)
Boyle had expressed the same idea as far back as the 1680s, and Whewell and others expressed related sentiments in the 1830s. This popular conception was neatly summarized by Mother Cary in Charles Kingsley's Water Babies:
[A]nyone can make things, if they will take time and trouble enough, but it is not everyone who, like me, can make things make themselves (Kingsley 1890, 273)
Indeed, even Darwin himself endorsed this view—a relevant quote from Whewell appears in the frontispiece of the Origin itself (Darwin 1859 , ii) —and he expressed related sentiments in his own words both in his pre-Origin notebooks and in his personal correspondence even after publication of the Origin. This sort of pre-Darwin move (relocating design from intervention back one level to created laws and deliberately chosen initial conditions) was thus obviously not just a forced retreat from Darwin, as frequently claimed.
However, if Rs result from gapless chains of natural causal processes, the evidential impact of those Rs again threatens to become problematic and ambiguous, since there will a fortiori be at the immediate level a full natural causal account for them. Design will, in such cases, play no immediate mechanistic explanatory role, suggesting its superfluousness. But even if such conceptions were explanatorily and scientifically superfluous at that level, that does not entail that they are conceptually, alethically, inferential, or otherwise superfluous in general. The role of mind might be indirect, deeply buried, or at several levels of remove from the immediate production mechanism but would still have to be present at some level. In short, on the above picture Darwinian evolution will not meet condition (e) for explaining away design. That is of course not a shortcoming of Darwinian evolution — unless one hopes to deploy Darwinian evolution as a weapon against design arguments (or, more broadly) theism.
But any gap-free argument will depend crucially upon the Rs in question being ultimately dependent for their eventual occurrence upon agent activity. That issue could be integrated back into an altered Schema 2 by replacing (6) with:
(6a) Design-like properties (R) are (most probably) not producible by means ultimately devoid of mind/intention—i.e., any phenomena exhibiting such Rs must be a product (at least indirectly) of intentional design.
The focus must now become whether or not the laws and conditions required for the indirect production of life, intelligent life, etc., could themselves be independent of intention, design and mind at some deep (perhaps primordial, pre-cosmic) point. In recent decades, exactly that question has arisen increasingly insistently from within the scientific community.
4. Further Contemporary Design Discussions
4.1 Cosmological: Fine-tuning
Intuitively, if the laws of physics were different, the evolution of life would not have taken the same path. If gravity were stronger, for example, then flying insects and giraffes would most likely not exist. The truth is far more dramatic. Even an extraordinarily small change in one of many key parameters in the laws of physics would have made life impossible anywhere in the universe. Consider two examples:
The expansion rate of the universe is represented by the cosmological constant Λ. If Λ were slighter greater, there would be no energy sources, such as stars. If it were slightly less, the Big Bang would have quickly led to a Big Crunch in which the universe collapsed back onto itself. For life to be possible, Λ cannot vary more than one part in 1053 (Collins 2003)
Life depends on, among other things, a balance of carbon and oxygen in the universe. If the strong nuclear force were different by 0.4%, there would not be enough of one or the other for life to exist (Oberhummer, Csótó, and Schlattl 2000). Varying this constant either way “would destroy almost all carbon or almost all oxygen in every star” (Barrow 2002, 155).
Many examples of fine-tuning have to do with star formation. Stars are important since life requires a variety of elements: oxygen, carbon, hydrogen, nitrogen, calcium, and phosphorus. Stars contain the only known mechanism for producing large quantities of these elements and are therefore necessary for life. Lee Smolin estimates that when all of the fine-tuning examples are considered, the chance of stars existing in the universe is 1 in 10229. “In my opinion, a probability this tiny is not something we can let go unexplained. Luck will certainly not do here; we need some rational explanation of how something this unlikely turned out to be the case” (Smolin 1999, 45).
Most physicists agree with Smolin that the discovery of fine-tuning cries out for an explanation. One explanation is that the universe appears to be fine-tuned for the existence of life because it literally has been constructed for life by an intelligent agent.
There are two other types of responses to fine-tuning: (i) it does not, in fact, require a special explanation, and (ii) there are alternative explanations to theistic design. Let’s briefly consider these.
4.1.1 No explanation needed
Three approaches have been taken to undermine the demand for explanation presented by fine-tuning.
188.8.131.52 Weak anthropic principle
In a sense, it is necessary for the fine-tuned constants to have values in the life-permitting range: If those values were not within that range, people would not exist. The fine-tuned constants must take on the values that they have in order for scientists to be surprised by their discovery in the first place. As a matter of fact, they could not have discovered anything else. According to the weak anthropic principle, we ought not be surprised by having made such a discovery, since no other observation was possible. But if we should not have been surprised to have made such a discovery, then there is nothing unusual here that requires a special explanation. The demand for explanation is simply misplaced.
184.108.40.206 Observational selection effect
Sober gives a related but stronger argument based on observational selection effects (Sober 2009, 77–80). Say that Jones nets a large number of fish from a local lake, all of which are over 10 inches long. Let hall= ‘all of the fish in the lake are over 10 inches long’ and h1/2= ‘Half of the fish in the lake are over 10 inches long’. The evidence e is such that Pr(e|hall) > Pr(e|h1/2). Now say that Jones discovers that his net is covered with 10 inch holes, preventing him from capturing any smaller fish. In that case, e does not favor one hypothesis over the other. The evidence e is an artifact of the net itself, not a random sample of the fish in the lake.
When it comes to fine-tuning, Sober considers hdesign=‘the constants have been set in place by an intelligence, specifically God’, and hchance=‘the constants are what they are as a matter of mindless random chance’. While intuitively
Pr(constants are just right for life| hdesign) > Pr(constants are just right for life| hchance)
one has to consider the role of the observer, who is analogous to the net in the fishing example. Since human observers could only detect constants in the life-permitting range, Sober argues, the correct probabilities are
Pr(you observe that the constants are right| hdesign & you exist) = Pr(you observe that the constants are right| hchance & you exist).
Given this equality, fine-tuning does not favor hdesign over hchance. The selection effect prevents any confirmation of design.
Sober’s analysis is critiqued in (Monton 2006) and (Kotzen 2012). We should note that if Sober is correct, then the naturalistic explanations for fine-tuning considered below (4.1.2) are likewise misguided.
220.127.116.11 Probabilities do not apply
Let C stand for a fine-tuned parameter with physically possible values in the range . If we assume that nature is not biased toward one value of C rather than another, then each unit subinterval in this range should be assigned equal probability. Fine-tuning is surprising insofar as the life-permitting range of C is tiny compared to the full interval, which corresponds to a very small probability.
As McGrew, McGrew, and Vestrup argue (2001), there is a problem here in that, strictly speaking, mathematical probabilities do not apply in these circumstances. When a probability distribution is defined over a space of possible outcomes, it must add up to exactly 1. But for any uniform distribution over an infinitely large space, the sum of the probabilities will grow arbitrarily large as each unit interval is added up. Since the range of C is infinite, McGrew et al. conclude that there is no sense in which life-friendly universes are improbable; the probabilities are mathematically undefined.
One solution to this problem is to truncate the interval of possible values. Instead of allowing C to range from [0,∞), one could form a finite interval [0,N], where N is very large relative to the life-permitting range of C. A probability distribution could then be defined over the truncated range.
A more rigorous solution employs measure theory. Measure is sometimes used in physics as a surrogate for probability. For example, there are many more irrational numbers than rational ones. In measure theoretic terms, almost all real numbers are irrational, where “almost all” means all but a set of zero measure. In physics, a property found for almost all of the solutions to an equation requires no explanation; it’s what one should expect. It’s not unusual, for instance, for a pin balancing on its tip to fall over. Falling over is to be expected. In contrast, if a property that has zero measure in the relevant space were actually observed to be the case, like the pin continuing to balance on its tip, that would demand a special explanation. Assuming one’s model for the system is correct, nature appears to be strongly biased against such behavior (Gibbons, Hawking, and Stewart 1987, 736). The argument for fine-tuning can thus be recast such that almost all values of C are outside of the life-permitting range. The fact that our universe is life-permitting is therefore in need of explanation.
The question of whether probabilities either do not apply or have been improperly applied to cosmological fine-tuning continues to draw interest. For more, see (Davies 1992), (Callender 2004), (Holder 2004), (Koperski 2005), (Manson 2009), and (Koperski 2015, chap 2).
4.1.2 Rival explanations
Assuming that fine-tuning requires an explanation, there are several approaches one might take (Koperski 2015, section 2.4).
18.104.22.168 Scientific progress
That the universe is fine-tuned for life is based on current science. But, just as many other anomalies have eventually been explained, so might fine-tuning. Science may one day find a naturalistic answer, eliminating the need for design. For suggestions along these lines, see (Harnik, Kribs, and Perez 2006), Page 2011 (Other Internet Resources)), and (Loeb 2014).
While this is a popular stance, it is, of course, a promissory note rather than an explanation. The appeal to what might yet be discovered is not itself a rival hypothesis.
22.214.171.124 Exotic life
It’s conceivable that life could exist in a universe with parameter values that we do not typically believe are life-permitting. In other words, there may be exotic forms of life that could survive in a very different sort of universe. If so, then perhaps the parameter intervals that are in fact life-permitting are not fine-tuned after all.
The main difficulty with this suggestion is that all life requires a means for overcoming the second law of thermodynamics. Life requires the extraction of energy from the environment. Any life-form imaginable must therefore have systems that allow for something like metabolism and respiration, which in turn require a minimal amount of complexity (e.g., there can be no single-molecule life forms). Many examples of fine-tuning do not allow for such complexity, however. If there were no stars, for example, then there would be no stable sources of energy and no mechanism for producing the heavier elements in the periodic table. Such a universe would lack the chemical building blocks needed for a living entity to extract energy from the environment and thereby resist the pull of entropy.
While the odds of winning a national lottery are low, your odds would obviously increase if you were to buy several million tickets. The same idea applies to the most popular explanation for fine-tuning: a multiverse. Perhaps physical reality consists of a massive array of universes each with a different set of values for the relevant constants. If there are many—perhaps infinitely many—universes, then the odds of a life-permitting universe being produced would seem to be much greater. While most of the universes in the multiverse would be unfit for life, so the argument goes, ours is one of the few where all of the constants have the required values.
While the philosophical literature on the multiverse continues to grow (see (Collins 2009, 2012) and (Kraay 2014)), many of the arguments against it share a common premise: a multiverse would not, by itself, be a sufficient explanation of fine-tuning. More would have to be known about the way in which universes are produced. By analogy, just because a roulette wheel has 38 spaces does not guarantee that the probability of Red 25 is 1/38. If the wheel is rigged in some way—by using magnets for example—to prevent that outcome, then the probability might be extremely small. If the table were rigged and yet Red 25 was the actual winner, that would require a special explanation. Likewise, if a property has zero measure in the space of possible universes, and yet that property is observed, its existence would still require an explanation (Earman 1987, 315). This is true regardless of whether the space of universes is finitely or infinitely large. In order to explain fine-tuning, the multiverse proponent would still have to show that the life-permitting universes do not have zero measure in the space of all universes (Koperski 2005, 307–309).
4.2 Biological: The “Intelligent Design” Movement
A high-profile development in design arguments over the past 15 years or so involves what has come to be known as the “Intelligent Design” (ID) movement. Although there are variants, the movement involves efforts to construct design arguments taking cognizance of various contemporary scientific developments (primarily in biology, biochemistry, mathematics and cosmology)—developments which, as most ID advocates see it, both reveal the inadequacy of mainstream (naturalistic Darwinian) explanatory accounts (condition (a)) and offer compelling evidence for design in nature at some level (condition (e) again).
ID advocates propose three specialized Rs—irreducible complexity (Behe 1996), specified complexity and information (Dembski 1998, 2002). Although distinctions are sometimes blurred here, while ID arguments involving each of those Rs tend to be gap arguments, an additional focus on mind-reflective aspects of nature is typically more visible in ID arguments citing specified complexity and information than in arguments citing irreducible complexity.
The movement has elicited vociferous criticism and opposition. Opponents have pressed a number of objections against ID including, inter alia contentions that ID advocates have simply gotten the relevant science wrong, that even where the science is right the empirical evidences cited by design advocates do not, in fact, constitute substantive grounds for design conclusions, that the existence of demonstrably superior alternative explanations for the phenomena cited undercuts the cogency of ID cases, and that design theories are not legitimate science, but are just disguised creationism, God-of-the-gaps arguments, religiously motivated, etc.
We will not pursue that dispute here except to note that even if the case is made that ID could not count as proper science, which is controversial, that would not in itself demonstrate a defect in design arguments as such. Science need not be seen as exhausting the space of legitimate conclusions from empirical data. In any case, the floods of vitriol in the current ID discussion suggest that much more than the propriety of selected inferences from particular empirical evidences is at issue.
5. The Persistence of Design Thinking
That question is: why do design arguments remain so durable if empirical evidence is inferentially ambiguous, the arguments logically controversial, and the conclusions vociferously disputed? One possibility is that they really are better arguments than most philosophical critics concede. Another possibility is that design intuitions do not rest upon inferences at all. The situation may parallel that of the existence of an external world, the existence of other minds, and a number of other familiar matters. The 18th century Scottish Common Sense philosopher Thomas Reid (and his contemporary followers) argued that we are simply so constructed that in certain normally-realized experiential circumstances we simply find that we in fact have involuntary convictions about such a world, about other minds, and so forth. That would explain why historical philosophical attempts to reconstruct the arguments by which such beliefs either arose or were justified were such notorious failures—failures in the face of which ordinary belief nonetheless proceeded happily and helplessly onward. If a similar involuntary belief-producing mechanism operated with respect to intuitions of design, that would similarly explain why argumentative attempts have been less than universally compelling but yet why design ideas fail to disappear despite the purported failure of such arguments
A number of prominent figures historically in fact held that we could determine more or less perceptually that various things in nature were candidates for design attributions—that they were in the requisite respects design-like. Some, like William Whewell, held that we could perceptually identify some things as more than mere candidates for design (Whewell 1834, 344). Thomas Reid also held a view in this region, and Hume's Cleanthes made suggestions in this direction.
If something like that were the operative process, then the ID movement, in trying to forge a scientific link to design in the sense of inferences from empirically determined evidences would be misconstructing the actual basis for design belief, as would be design arguments more generally. It is perhaps telling, in this regard, that scientific theorizing typically involves substantial creativity and that the resultant theories are typically novel and unexpected. Design intuitions, however, do not seem to emerge as novel construals from creative grappling with data, but are embedded in our thinking nearly naturally—so much so that, again, Crick thinks that biologists have to be immunized against it. Indeed, design structures seem to be part of the very fabric of science itself. According to physicist Paul Davies
Science began as an outgrowth of theology, and all scientists, whether atheists or theists … accept an essentially theological worldview. (Davies 1995, 138)
All of that suggests to some that we are dealing with a different category of belief formation and acquisition. And it also suggests that design thinking may be natural to our sorts of intellects.
Perception and appreciation of the incredible intricacy and the beauty of things in nature—whether biological or cosmic—has certainly inclined many toward thoughts of purpose and design in nature, and has constituted important moments of affirmation for those who already accept design positions. The status of the corresponding arguments of course, is not only a matter of current dispute, but the temperature of the dispute seems to be on the rise. And regardless of what one thinks of the arguments at this point, so long as nature has the power to move us (as even Kant admitted that the ‘starry heavens above’ did), design convictions and arguments are unlikely to disappear quietly.
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Other Internet Resources
- Page, Don N., 2011. “Preliminary Inconclusive Hint of Evidence Against Optimal Fine Tuning of the Cosmological Constant for Maximizing the Fraction of Baryons Becoming Life,” manuscript in arXiv.org.
- Natural Theology; or, Evidences of the Existence and Attributes of the Deity, by William Paley.
- Design Arguments for the Existence of God, by Kenneth Einar Himma (Seattle Pacific University), hosted by the Internet Encyclopedia of Philosophy.
- The Teleological Argument and the Anthropic Principle, by William Lane Craig (Talbot School of Theology), hosted by Leadership U.
- Anthropic-Principle.com, maintained by Nick Bostrom (Oxford University).
- Robin Collins's Fine-Tuning Website, maintained by Robin Collins (Messiah College).
Del Ratzsch would like to thank his colleagues in the Calvin College Philosophy Department, especially Ruth Groenhout, Kelly Clark and Terrence Cuneo, and to David van Baak.
Jeffrey Koperski would like to thank Hans Halvorson, Rodney Holder, and Thomas Tracy for helpful comments on source material for section 4.
Examine the main ideas and strengths of the design argument for the existence of God
The Design argument is often called an inductive, teleological argument which is most commonly associated with William Paley and Richard Swinburne. The DA is concerned with the search for a meaning or purpose in the world. The DA is a posteriori proof argument; which is an argument made after knowledge is assembled, using your own experience as reasons to argue. The DA often called the teleological argument comes from the Greek word 'telos' which means 'purpose' it focuses on the observation that something has been created for a purpose. Everything in the world appears to have been designed by a designer and fulfil a function. Another idea of the design argument is that there is evidence of design in the universe around us, everything appears to have been designed to fulfil a function this is called Design qua purpose. Design qua regularity is the basis of the argument that the universe appears to behave according to some rule, however as some DA's differ some argue that the universe's starting point was because of there being regularity in the universe whereas others argue there is evidence of the universe being designed for a purpose. The DA is an inductive argument which is insisting the ultimate explanation for design is a designer or God.
A classical example the DA is William Paley's, his argument includes several ideas one of this is uses an analogy of a watch and comparing it to the universe in his book called Natural Theology. The analogy explains that if a person found a watch, even though they had never seen one before they would know it had been designed therefore just as the existence of a watch indicates a watchmaker – implying it is clearly designed and the same is with a universe implying that God has created the Universe, this part of Paley’s argument links in with design qua regularity. In addition to this, the human eye is too complicated to be created by chance there must be a purpose for its existence this is called design qua purpose. The main side of the argument is that everything that has been designed needs a designer therefore by analogy the world must have a designer. Paley explained "every manifestation on design, which existed in the watch, exists in the works of nature" he is suggesting here that this could not have happened by chance, and the designer of the universe must be God who is above all designers.
Moreover, a strength of the argument is that the use of the analogy (watchmaker) in the argument makes it easy for us to understand as it moves from something within our experience to try to explain something behind (the creation of the universe) the argument is straightforward but the use of the analogy makes it clear to us that that examples that are as complex as the watchmaker is showing us that God is the only logical explanation for the universe's design as the universe is so complex.
Another strength of the argument is that the argument is reasonable and therefore more people are likely to believe. It is not impossible for God to exist and create the Universe and as we have evidence in the Bible as God said "let there be light" shows that God has the power to create a universe like this. The Bible preaches the truth and God is evidently the only explanation as we have proof from the bible. The argument is a reasonable interpretation of experience.
Another example of the design argument comes from a philosopher called Richard Swinburne who clarifies the modern version of the DA which is called the Anthropic Argument, from this argument the idea he argues is that the universe functions by rules e.g. each day has 24 hours and this is not by chance it has been designed to have 24 hours, and the most probable explanation is God. He argues that God the only possible reason for the occurrence of these laws. Although science can explain a reason behind these laws occurring, it cannot confirm the presence of these laws and so God is the most logical explanation for this as he is above human power.
Furthermore, another strength of the argument that proves the existence of God is that the world has been so perfectly built and you cannot fault it. It's amazing creation clearly shows that no one but God could be the explanation because the world is so intricately structured that only an omnipotent God could create it and it is clearly designed e.g. The world has four seasons - this could not be happen by chance some thought has gone into creating the universe, therefore there is evidence everywhere in the world today that it is has been created and because it is so complex the only logical explanation behind the design of the universe is God.
Another attribute of the DA comes from St. Thomas Aquinas, an idea from his argument includes the beneficial order in the universe which he observes I.e. There are things in the universe that work towards an end or purpose. He argues that the world is like an arrow shot from an archers bow - it has direction purpose. God is the archer and the world is the arrow. God is controlling the world and as he is the reason behind why it is been created. Aquinas then goes on to say the world works because the designer is God because things in nature are ordered and their apparent purpose e.g. Trees give us oxygen
An idea that has been put forward by F.R. Tennant is that beauty exists in world, his argument is called the Aesthetic argument. Tennant points out that beauty exists within the world e.g. Nature, he explains further that beauty cannot be derived through natural selection and it provides no survival benefit to species and therefore beauty has to have a designer. He argues that the universe was designed explicitly for human life. Tenant concludes his argument by stating that the designer must be God. God is omnipotent and only someone as great as him would have the power to great such as the universe.
Another strength of the DA that proves God is the designer is that the universe has order, benefit, purpose and suitability and something cannot exist without these four quantities. For example in order for something to have purpose something needs to be created therefore the world has been created as its purpose is for humans to live in it. The next quantity is benefit, by the world existing the benefit is gets is from humans to live it and do actions justly e.g. Feed the poor there are many more benefits for the world existing. The third quantity is order - the world is ordered exactly and evidence has clearly shown us that the universe has been created with thought e.g. the earth is at an exact existence away from the sun I.e. so it's not too hot or cold, which is clearly showing how complex the universe is. The last quantity is suitability, which backs up the argument of the world being too complex to have just happened by chance e.g. Scientists believe that the Big Bang Theory was the reason behind design but it is not a clear explanation because the world is too complex to have happened with a bang, careful thought has gone into the creation.
In conclusion, the DA is an a posteriori which is based on our knowledge of the world and design. The world is far too complex to appear by chance there has to be a logical explanation for its design and it's designer; the world presents regularity e.g. The consistency of having 4 seasons throughout 1 year and purpose e.g. The purpose of the human eye is to see it cannot be created by chance as it is far too complex, consequently the universe must be designed and as everything designed needs a designer there must be a designer behind the creation of the universe. A watch cannot be made by itself even though all the pieces are there to make the watch, the same goes for the universe (or life) could not have made itself even though all the 'pieces' were there. There has to be a designer and as the DA is a inductive argument - God is the most likely the answer to the formation of the universe
Comment on the view that the weaknesses are overcome by the strengths of the argument
A strength of the design argument is that it is simple to understand and is reasonable therefore many people will adjust to the reason behind why the universe has been created. For example every human knows that one day they are going to die and by the theory that we have all be created by God and he is 'in charge' of us dying or living - it all fits in together people understand gods existence and therefore they will believe that god is the only logical explanation for the reason of the creation of the universe. It is impossible for any human to create a universe like this as it is far too complex to begin with and the fact that we have 24 hours in the day and have day and night relates to qua regularity showing that the universe is here but its here because of a extremely intelligent designer which is God. However a weakness of the argument that overcomes the strength is if god is the designer and he is omnipotent, benevolent and omniscient then why is the world full of evil? The design argument is focused on the positives but is failing to realise that there is so many things going wrong in the world today. There are illnesses, huge destruction, pain, torturing and much more but if god was omniscient he'd know those things were happening and be ready to stop them as he is a benevolent god. If god is omnipotent then he would have the power to stop all the evil occurring in the world but he isn’t. As humans we have never met god and we personally don not know what he is like. A point made by john Stuart mill is "why would a benevolent god let such things happen? Or why would an omnipotent god create a world where such things happen?" Therefore as we don't god intentions we cannot trust the theory that god has created the world as we don't know his intentions.
Conversely, another strength of the argument is that the conditions of the world are so perfect for us to live in for example how we have trees that provide us with oxygen - this shows that behind every creation within the world there is a reason behind why it's been created. When we jump our eyes are still and don't move around, with our human eyes we have the ability to see under water thus the universe must have been designed in order for humans to live in it. Evidence is everywhere. Paley’s watchmaker theory supports this strength: William Paley explains that if you find a watch you don't assume it is there by accident you know that there is a reason behind it, you know someone has made it as it is so intricate which is the same with the world. On the other hand, Hume has made criticisms of the DA and believes that you cannot be born with the fact that the world has been designed by god. It is not innate knowledge, you have to of have some sort of experience and by humans having no experience of the world being built how we can possibly say that god is the reason behind it. Hume goes on to explain that if a watch is made by many as it is so complex, the universe must be made by many gods and not just one therefore there isn’t the one powerful god. He also goes on to explain that we shouldn't stop at god when asking for explanations. Another criticism from Hume is he compares the world to a machine that didn't work. He explains that the universe is more like a vegetable that grows of its own accord "so the vegetable the world or this planetary system, produces within itself certain seeds which being scattered into the surrounding chaos vegetate into new worlds". Hume Is saying that the world has grown on its own and the analogy between the products of human design and the works of nature is remote and weak.
Overall, the weaknesses overcome the strengths for the DA because the suffering that goes on in the world shows how dysfunctional the universe is - everything designed needs to work in order. Mill supports this point and argues that the universe cannot be ordered and the result of intelligent design. Hume thought that the argument cannot be supported by a Christian god as Christians believe that god is omnipotent, benevolent and omniscient. Although the argument is easy to understand, the fact that the world isn’t ordered overcomes the logician explanation. Fundamentally, the strengths of the argument are arguable, the DA will depend on your belief - if you're a theist God will be you're explanation however ultimately the Weaknesses of the DA have weighed out the strengths because of the natural disasters that occur in the world such as tornados evidently showing God is not omnibenevolent as he would stop these from happening but he hasn't so we cannot say he created the world due to the fact he doesn't stop evil in the world ultimately the Weaknesses overcome the strengths